6 Reasons to take children to the Festival

c. Julie Howden
c. Julie Howden
Most of the pupils I brought had never had a theatre experience before. Many have never left our local area. The whole day out, coupled with a wonderful live performance, gave them a day they will be talking about for a long time.

—Teacher, 2024 Festival

1. Relevance for the Curriculum

  • Provides rich, interdisciplinary learning experiences exploring storytelling, emotions and creativity (Expressive Arts)
  • Develops critical thinking, listening and communication skills (Literacy)
  • Increases empathy and social skills by connecting with characters and narratives (Health and Wellbeing)

2. Equal opportunities

  • Reduces cultural and economic barriers and ensures access for those who might not otherwise attend
  • Creates shared cultural references among pupils
  • Helps young people feel part of wider cultural community

3. Skills development

  • Helps develop meta-skills including curiosity, creativity, focus and communication
  • Develops critical thinking through discussion of performances
  • Encourages listening, dialogue and reflection

4. Cultural enrichment

  • Exposes pupils to high-quality live performances
  • Broadens cultural horizons and understanding of the world
  • Provides joyful and profound experiences

5. Social and emotional development

  • Helps support collaborative working amongst pupils
  • Improves communication skills and emotional intelligence
  • Increases self-esteem and confidence

6. Inspiration and aspiration

  • Raises children’s aspirations and hopes for their future
  • Sparks creativity and imagination
  • Provides memorable learning experiences outside the classroom
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Every child has the right to relax, play and take part in a wide range of cultural and artistic activities.

—Article 31 of the UN Convention on the Rights of the Child

Philip Pullman, writer

"Children need to go to the theatre as much as they need to run about in the fresh air. They need to hear real music played by real musicians on real instruments as much as they need food and drink. They need to read and listen to proper stories as much as they need to be loved and cared for. 
The difficulty with persuading grown-up people about this is that if you deprive children of shelter and kindness and food and drink and exercise, they die visibly; whereas if you deprive them of art and music and story and theatre, they perish on the inside, and it doesn't show." 

Professor Matthew Reason, York St John University

"For a variety of reasons teachers are a key gatekeeper in children’s engagement with theatre and the arts. Not least because for many children their first experience of theatre will be with school. For many children it is their teacher, even more than a parent, who provides a model of artistic engagement and stimulation for them to observe and adopt. As gatekeepers to the arts it is the task of teachers to nourish children with quality artistic experiences." 

Sue Giles, President of the International Association of Theatre for Children and Young People (ASSITEJ)

"The nature of theatre – subjective, nuanced, intangible – is one of the things that enables human beings to realise their individual power of expression and belief. The private world of experience is the strength within us all no matter our knowledge or expertise…
In many parts of the world, adults are invested in control. Driven by anxiety about safety and fear of the world we live in, we deny our children physical freedoms we once had and we are inclined to fill every waking moment with interpretation and commentary. Through theatre we have the chance to offer space and time to subjective experience and offer a place where the child’s power and sense of control is returned."